This terracotta Sphinx is one of a number of representations of the mythical creature in Freud’s collection.
Resource from : https://www.freud.org.uk/collections/objects/4387/
What is an original Print?
'Printmaking' is a broad term that encapsulates a number of techniques and processes, from etchings to monotype to screen printing, in which the artist makes images
from a master or 'matrix'. Prints can be classified according to the type of surface used to make them. These are divided into four groups; Intaglio, Relief, Stencil and Lithograph. These procedures are complex, frequently used in combination and are in constant
state of revision and refinement, but regardless of type, they share common characteristics.
Why buy prints?
Print is a great way to learn about artistic process, discover new artists, and experiment with your tastes and confidence. It can also be a shrewd investment.
Because there is often more than one ‘impression’ of any one printed image, it is inevitable that it is often easier to find - and afford - an original print than
an oil or watercolour by a certain artist. The price will depend on the quality and the date of the printing. The nature of editioning can mean you are able to introduce original works by some of the worlds top artists at a fraction of the cost.
Sphinx Etching print:
Material: Ink and Paper
This is a limited etching "Sphinx" which is taken from an edition of 90. Somerset (cream) is a 300gsm acid free 100% cotton Etching paper.
Etching printing process - A metal plate is coated with a waxy ground that is then drawn into, removing areas of the 'ground' that will finish in the print as black or coloured areas. This is achieved with a variation of different methods dependant on whether the wax is 'soft' or 'hard'. Soft grounds are extremely delicate and the slightest pressure will remove the wax whilst a hard ground can be removed using a sharp needle or white spirit etc. The plate is then put in an acid bath, the exposed areas are then etched or eaten away producing a sunken line that will receive the ink. The length of time the metal is exposed within the acid bath will effect the darkness and character of the lines.
Available to purchase in the Freud Museum London or contact me for details to purchase.